Monday, July 17, 2023

MAN IN THE CAGE







         


 

                   


                    

 

1.     The vibrant strength of the tiger with bouncing speed

 Behind these iron bars, I never found;

 Where is the royal gait of the lion with roaring sound?

 Where is the staggering leap of the pard on the mead?

 Where is the grazing mule and the nimble striped steed?

 No merry cries of swinging baboons I hear

 No free winged creatures twitter with cheer.

 

2.     Where is the leaping joy in pretty deer’s eyes?

 Where is the defiant strength of tusker gone?

 No wild thickets and trees greet them in morn:

 Where is the zeal in wild fowl’s cries?

 No light of freedom in their tired looks shone;

 No dancing pea-cocks and no leaping fawn;

 No smell of wild blooms with fresh dew adorn.

 

3.     No more can they run swift, hunt and catch hold

Of the prey or roam free over vales and flowing rills

No more can they flex their muscles and hunt with thrill;

No more can they join their free roaming comrades bold;

They lost their vigor, strength and hunting skills;

They have to live like convicts in their narrow cells

They felt like angels pushed down into gloomy hell. 

 

  4.   The crocodiles in muddy pools in listless sleep       

         The parrots in cramped cages flutter and sadly cry;

         No more the eagle with his wide-spread wings can fly;

         The furry bears in made-up dark caves desolate peep;

         The coiled serpents in cramped spaces seem to sigh;

        The colourful winged creatures stay in dormant state

        The panthers with angry looks growl with hate.

 

5.     They live with no glint of hope in their eyes;

        Like waxen figures with no dynamic spirit;      

       They lost their natural ways of life and not fit

       To dwell in forests with their instincts wise;

       No more can they feel the tight grip and grit        

       The thrill of killing their prey with speed and might.

       Why should they live like captives for others’ delight? 

 

6.   Some puny human creature throws some chunks of meat

      Why should they be deprived of their rights?      

      Why should they suffer in narrow cages day and night?

      Why should they suffer in cages in sweltering heat;

      Is this the right way our fellow-creatures to treat?

      Nature’s intimate touch surely, they miss;

      What fault have they done to suffer like this?

 

7.    Why should we deprive them of their right to be free?

       Why should we deprive them of their sylvan domain? 

       Why should we cage them for our pleasure and gain?

       Why should we go on capturing and hunting spree?

        Why should we destroy the trees and grassy plain?

        Let man be safe-sheltered in his barred cage

        And from distance these wild creatures, gaze.

 

8.      In their natural habitat let us watch  

        The wild creatures running, leaping and flying free;

        Their god-gifted skills and movements let us catch

         In our cell-phones with no guilty feelings with glee;

         Without hurting them but admiring their ways;

         These lovely creations, let us protect always.

               ****************************

Note : This poem is written in Rhyme Royal stanzaic form 

 with a slight variation in rhyme scheme. This poetic form

 with seven lines was first used by Geoffrey Chaucer with

 the rhyme scheme (ABABBCC) in his long poem

 "Troilus and Criseyde” (1380) and later in Parlament of 

  Foules”(1381-1382). I have made a slight variation in

  rhyme scheme as:  ABBABCC. Chaucer derived this

  form from the French  Ballad. It was called Rhyme Royal

  because it was first   used by King James I of Scotland in

  the 15th century in  his poem,“King’s Quair.”

  William Shakespeare used this  poetic form in his poem:

 "The Rape of Lucrece” and  William Morris in his poem, 

 “Earthly Paradise.”

                         ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

 17th July, 2023              Somaseshu Gutala

          

 

 

 

 

 

 

 

 

 

 

Friday, July 7, 2023

On my visit to Vekkali Amman Temple at Woraiyur, Trichy Dist (Tamilnadu)

Statue of Vekkali Amman

Temple entrance


Idols on the entrance tower



Sculptures on the tower

Presiding Goddess in the sanctum


Vekkali Amman with golden covering


The golden chariot

The painting of Vekkali Amman on the wall


This Kali temple is in Woraiyur (Uraiyur)in Trichy Dist. just five kms away from Trichy railway station. Woraiyur as the ancient capital of early Chola Kings, was mentioned in Asokan inscriptions dating back to 300  B.C. It was described by Satavahanas in their inscriptions as "the citadel and centre of the Cholas." It was ruled by Karikala Cholan before the first century B.C. and the dynasty was revived by Vijayalaya Cholan in 850 A.D. 


 Vekkali Amman is regarded as the guardian deity of Woraiyur and was worshipped by early Chola kings before going on war campaign. This north-facing temple bestows victory. She is also regarded as a saviour in difficult times. The sanctum of the goddess is seen without a roof as many failed to construct the roof which is an indication that the goddess does not like to have a roof over her sanctum. 


Though the temple has a simple structure with an entrance hall and Garbha Griha, people regard this place as a very powerful and wish-fulfilling pilgrim spot. The Goddess is seen in sitting posture facing northwards. She holds an Akshaya Patra, a trident, a pasha (noose) and a damarukam(hand-drum) in her four hands. Unlike other forms of Shakti idols, Vekkali Amman is seen with her right foot over the demon. This posture indicates kindness, love and affection for her devotees. In this temple rituals are done six times a day and six annual festivals every year.


 Abhishekam is done at 5.30 a.m. every day. Annadanam is done to fifty people every day. During ten-day Chittarai festival (April-May), many devotees take part in worshipping the goddess. Special poojas are performed in Vaisakha month (May-June), Panguni month (March-April) and during Navarathri days (September -October).  Friday poojas are done during the months of Thai (Jan-Feb) and during Aadi (July-August).  


According local history, a devotee called Sarma Munivar, the Guru of Chola King, cultivated a flower-garden and used to worship the goddess with the flowers. The king Parantaka Chola forcefully took away the flowers from the garden defying his Guru’s request. Angered at this sinful act, Lord Shiva opened his third eye and burnt the king’s fort and the houses. Frightened by this fire-shower people ran away and took shelter in the open place where the Goddess Vekkali Amman is seen. The Goddess took pity on her suffering devotees and placated Shiva’s wrath by appearing as full-moon. She also saved the pregnant Chola queen who jumped into Kaveri to escape from the fire-showers. Since then, Cholas became ardent devotees of Vekkali Amman. This place was the former capital Chola kings who later shifted their capital to Tanjore. As the people of the region lost their homes in the fire-shower of Shiva’s third eye, the Goddess chose to dwell in a temple without a roof till everyone in the region has a shelter of their own.


 During the annual festival everyone having Vekkali Amman as their family deity come here and pray to the Goddess for their family welfare. The temple’s chariot was made of gold in 2010. It is of 9.75 ft. in height and was made of 10.5 kgs of gold and 25 kgs. Of silver. The devotees write their problems on a paper slip and tie it around a trident in temple premises believing that the Goddess will redress their grievances. The temple timings are from 6.00 a.m. to 11.00 a.m. in the morning and from 4.00 p.m. to 8.00 p.m. in the evening. 


The nearby temples are Nachiar Azhagiya Manavala temple in Woraiyur (One of the Vaishnavite Divya Desams), Jambukeswarar Temple (7.5 kms), Vayalur Murugan temple (10 kms) and Sri Ranganatha Swamy temple (9kms) nearly. People going to Trichy should not miss visiting this powerful Shakti Kshetra.


                       *************************************


            7th July, 2023                             Somaseshu Gutala

Sunday, May 14, 2023

On my Visit to Brahmapureeswarar Temple, Thirupattur (Trichy Dist, Tamilnadu)

              

Temple Tower front view





Inside view of the temple


View of the Mukha mandapam



Lord Brahma in the sanctum


Brahmapureeswarar idol


Nandi statue


Brahma Theertham


Goddess Gajalakshmi

Lord Kalabhairava

Lord Umamaheshwara

Sculpture on the pillar


Shrine of Vinayaka

                                 

Patanjali Samadhi

                     

Temple tree

                           

One of twelve lingas in the garden

                                           
Statue of Brahma in temple premises


Temples for Brahma are vey rarely seen. This temple of Brahma is located very near to Srirangam at nearly 35kms. People believe that their destiny will become better by having darshan of Lord Brahma here. This temple is more than one thousand years old. 

According to legends, Lord Brahma thought Himself superior to Lord Shiva and felt very proud of His creative powers. Lord Shiva cut off Brahma’s fifth head and cursed him to lose His powers of creation. Brahma realized His mistake and went on a pilgrimage to various Shiva temples. He came to this temple worshipped and did penance, On Parvati’s request, Lord Shiva appeared and liberated Him from the curse. He also said that Brahma would have a separate shrine here and devotees would first take His darshan before worshipping Shiva.

 Since Brahma had His destiny re-written here, He should also re-write the destiny of devotees who visit His shrine. Hence Lord Shiva in this temple is called Brahmapureeswara and His consort is called Brahma Sampathnayaki as She has helped Lord Brahma in getting back His lost wealth and creative powers. Lord Brahmapureeswarar is a Swayambhu Lingam. The idol of Brahma is nearly six-feet tall and is seen seated in a meditative pose on a lotus. The idol of Brahma is coated with turmeric.  The shrine of Dakshinamurty  is seen next to that Lord Brahma.

 Adjacent to the temple, there is a garden with twelve lingams in separate shrines around a pond “Brahma Theertham”. Brahma installed these twelve lingams here. One can also see here the grave of sage Patanjali who attained Samadhi through Yogic meditation.  This temple has a five-tiered Rajagopuram on the east side. The Veda mandapam at the entrance has a dwajastahmbam and Nandi statue. The main enclosure of Brahmapureeswarar lingam in the sanctum is surrounded by seven gateways each representing a day of the week. Abhishekam to Lord Brahma is at 6.00 a.m. on Thursdays and at 8.00 a.m. on other days of the week. A ten-day festival is celebrated in the month Panguni. Full-moon days and on the day of Satabhisha (Sadayam) Nakshatra are auspicious days to worship Lord Brahma. Mondays and Thursdays are favorable days for visiting this temple. The temple timings are from 7.00 a.m. to 12.00 p.m and from 4.00 p.m. to 8.00 p.m. Just one km from this place is the Kailasanathar temple where Sage Vyaghrapada attained Jeevasamadhi.

The eighth century saint Sundarar praised about this temple in his hymns. Chola kings constructed the oldest parts in the 9th century. Later expansions were done by later kings like Nayak kings. People believe that a visit to this temple provides good health and bestows immense peace to their ancestors. Other deities in this temple complex are: seven Vinayak shrines, Lord Subrahmanya, Lord Dakshinamurti, Sapta Matrikas, Sri Gaja Lakshmi, Sri Chandikeswarar, Lord Brihaspati and Nava Grahas. Here The devotees are asked to stand in front of Brahma instead of on either side as it is believed that Brahma would bring changes in the fate of devotees.

 Sunlight falls on Brahmapureswarar Lingam for three days in a year on 15th, 16th and 17th day of the Tamil month of Panguni(March-April). People visit this temple to seek good marriage alliance, or to solve their marital problems and have good progeny. 

The garden area and the pond look shabby and untidy. Improvements have to be made. The statue of Brahma also is slightly damaged and the paint id fading off. So proper maintenance of the temple is necessary. The temple history and labels may be written in English along with Tamil for the benefit of non-Tamil pilgrims. The importance of this unique temple may be given wide publicity through media and sale of devotional books.

                               *******************************

14th May, 2023.                                   Somaseshu Gutala

  

Saturday, April 29, 2023

ALL-IN-ONE (PART--II )





                                     

  

13.           Like a potter

   You mold our destiny with mysterious skill.

   With so many designs and patterns you fill

   Though frail and weak we live in conceited ways.

   Till we crumble to dust unaware of our numbered days.

   Ignorant of Thee, Master of our life-breath!

   Ignorant of Thy gifts and impending death!

  

   14.          Like a weaver      

        You show your creative powers

   Intermixing various shades and colors

   A mixed fabric of sufferings and pleasures

   Our lives with a purpose which we can’t measure;

   To make us know life’s valuable virtues

   To teach us problem-solving means and clues. 

 

15.           Like a tailor

     You measure our worth and give our due

     Of what we deserve in proportions true;

     To grab with greed, in vain we struggle hard

     You give our due, Our well-wisher and Lord!

     We waste our precious days in worldly pleasures.

     Ignoring true values and innate treasures.

 

16.           Like an artist

     Endless works of wonder you create.

     Inestimable miracles splendid and great

     Nature, a fathomless, endless mystery

     Beyond our limited fallible boundaries

     Yet thy precious skills a little, in artists we find.

     A speck of Thy supreme magnificent mind

 

17.           Like a scientist

     This universe with many secrets you designed.

     Our bragging wits too shallow to unwind

     The infinite intricacies profound

     Beyond our subtle supercomputing bounds

     Innumerable gifts gave Thy generous grace.

     Which we misuse in self-destructive race.

 

18.           Like a doctor  

     You cure our maladies and disease.

      Nature, your precious gift for health and ease.

      Our selfish polluting living style

      Create new germs deadly and vile.

      Addicted to drinks, lust, and perilous drinks.

      Into abysmal depths of doom people sink.    

 

19.            Like a poet

      You make this universe with magical skill.

       Splendid wonders in every vale and hill

       In every bird, beast, flower, and fruit

       In every being a rhythmic harmony cute.

       Your thought took shape in every atom in fact.

       A master craftsman superb thou art.

 

20.             Like a painter

       On the canvass of this universe, you made.

        Millions of worlds with various shapes and shades

        In multiple colors with soul-animating art you devise.

        A mystic supernatural creation, a wondrous surprise.

        Our efforts to imitate Thee we feel too hard.

        A tiny shell, a flower shows Thy skill, Oh, Lord!

 

21.             Like a maestro

       You created this world from sacred sound.

       Numberless melodies in your domain abound.

       Thy musical skills, far above our earthly sounds.

       Thy rhythm conceals so many meanings profound.    

       Masters of heavenly music touch our bosom’s core.

       With Immense devotion they praise and adore. 

 

22.              Like a C.E.O.

        The whole creation with ease you control.

         You decide and guide all towards their goal.

         Though we brag and dare to go out of our ways

         You lead us back to move on at our own pace.

         We miss you, Lord! the universal source of all.

         With rushing tide of time, we rise and fall.

 

23.               Like an actor

         So many parts you sportively play.

         Embodying your infinite Self, I say

         Beyond our worldly estimate and guess

         Thy ordained laws none can transgress.

         A trivial dot this entire creation

         Immeasurable Thy Form, Thou, All-in-one.      

 

24.              Master of all!

        Unknown to our souls confined in sense-bound cage.

        Thy precious blessings we misuse with bestial rage.

        Our petty parts we think as ours and miscomprehend

        Thy Divine plan and our days idly spend.

        Make us realize our roles and lead us to our goal.

        Make us realize and feel Thee, within our soul.

 

                     ***************************

 

 

 Note: In all religions great seers and prophets expressed their inability combined with wonder at the incomprehensible creative powers of God and voiced their gratitude and devotion in many religious scriptures. They concluded that all this creation comes from one source and goes back to merge with that cosmic power. In Hinduism and other religions where polytheism is followed, the multitudinous number of gods and goddesses represent the mystic symbolic manifestation of God’s various qualities and powers. In “Bhakti Yoga” (A chapter from Gita on “Devotion”), Lord Krishna states that He exists behind everything in creation just like a thread binding many multi-colored beads in a necklace. The cosmic manifestation of God in various forms and objects in this universe and His magnanimous gifts to all creation is elaborately dealt with in "Vibhuti Yoga" and in “Rudra Suktam”.

The least we can do is to feel humble and acknowledge our earnest gratitude to God for his various gifts and make use of them for the well-being of all living and non-living creatures, and try to protect this universe, an indirect manifestation of God Himself, without feeling any false sense of pride. Without His Will nothing exists and survives. Let us keep this world safe, happy and peaceful. Destruction and pollution lead to our own ultimate annihilation and degradation.

                          *************************

29th April, 2023                        Somaseshu Gutala