THE TALE OF RANGI, THE SERVANT MAID

    Right from her childhood she spent her days

      In backyards scrubbing and rinsing utensils

      Sweeping dusty rooms and washing clothes

      Listening to reprimands and curses crude;

      Not used to childhood pleasures and pastimes

      Not used to playing with dolls and with mates

      Not used to going to school and learning skills

     A stranger she is to letters and figures

     All her years spent in midst of dirt and grime;

     Tears welled up in her eyes when she beheld 

     Kids of her age fluttering like butterflies

     In trim, neat uniform going to school

    With shouts of mirth greeting each other;

    Her world—hard toil spent in filthy surroundings

    Her tender palms roughened with household chores

    Accustomed to daily taunts and drudgery;

    In course of time she got used to her state

    Mere complaining she thought a useless task

    She accepted her lot with a hardened heart

    She tried to find pleasure in her routine

    Though others spurned her as a servant maid

    Her drunkard father with foul threats and brutal blows

    Snatched her earnings though she protested in vain;

                                  ( I I )

   None christened her name; neighbors called her "Rangi"

   Named after the pretty goddess of wealth;

   A common background in them she found

   All poor, unlettered, migrant struggling slaves

   Compelled to forego their childhood golden years

   Compelled to drudge to help their starving families;

   Compelled to bear the burden of bludgeoning debts.

                                     ( I I I )

  Two decades went by in monotonous way

  Starting early to work and returning late;

  Though time went on with no perceptible change

  Age blossomed in her form with passing years

  Her blooming youth made her agile and   strong

  Like a wild flower with natural charm;

  Her graceful gait and her sweet rustic voice

  Her dark long hair and her dark shiny skin

  Lent her a pretty, attractive glow;

  Her earnest work and her submissive nature

  Endeared her to all as a lovable, gentle maid;

  In every wedding function and festive event

  An active role she played helping others unsought;

  She never worried about her future

  Too bleak and uncertain with no ray of hope;

  For her to get a square meal every day

  Seemed a blessing and never did she think

  About her wedding and happy settled life—

  Too far for her struggling, humble state.

  She brushed aside with empty smiles and feigned to blush

  If anyone joked about her wedding affair.

  She bid adieu to her future hopes and dreams

  Too distant and unreachable like stars;

  Behind her smiles and cheerful looks

  There lurks a passive surrender and silent gloom;

  To hide her woes she laughed and chatted in a merry vein;

  She felt happy in seeing others’ happy state;

  A gloomy future waits for her—she knows

  To stay as a maid lifelong or be a drunkard’s wife

  And slog through life bearing insults and blows;

  Like a sad refrain of an old tragic song.

  If destiny wills and smiles on her innocent face

  A simple rustic with a sympathetic heart

  May come and like her tender and gentle heart

  Untarnished by guiles and double dealing tricks;

  And feel blessed to wed her with no greedy demands

  To make his hut happy with her lovely presence;

  Let us wish her all joy and future bright

  A due reward to recompense her burdensome past.

               *****************************

       3rd April, 2020                                  Somaseshu Gutala

COVID 19, the Curse of Human Negligence

    1)     All busy life assumed a static state

            All activities came to a standstill-

            All transactions nil—no receipts and no bills;

            All confined to their homes--no sports, no debates;

            The busy roads turned silent, still and bare

                Creating rumors, wide-spread panic and scare.

   2)      All trade and business suffered huge loss

            All stocks and shares sank down; no jobs, no pay;

            No parties, no functions—none allowed to pass;

            Industries ground to a halt and no supplies;

            All systems thrown out of order in a trice.

 3)       All hospitals filled to the brim—an ordeal worse

           An acute shortage of sanitizers and masks

           Dearth of vital drugs—a difficult task;

           Prices flew sky-high beyond common man’s purse

          The people abroad could not to their countries return

           Facing so many tests and waiting for their turn.

 4)      A small insignificant microbial speck

          Shook the whole world with rapid spread

          Infecting millions and left thousands dead;  

          A virus spread from bats and none could check

          Till it became a pandemic far and wide

          Of unnatural food habits, so many died.

 5)     The virus called Corona posed a threat to men

         Changing its form in swift Protean ways

         Challenging mighty nations, it sways

         Terrorizing even terrorists’ den;

         Unclean habits and unhealthy meals

         Unnatural life style lead to risky deals.

 6)     Worse than Black Death that plagued mankind

         Worse than consumption and Cholera dire

         Worse than Swine flu that threatened the world entire

         Man for this malady cure did not find

         Covid Nineteen swooped with swift lightning speed     

         Lack of awareness to this predicament lead.

  7)   Nature questioned man’s reckless wayward ways

        Unbridled freedom results in enormous loss;

        Misuse of knowledge vast and transgressing laws

        Creates imbalance and disastrous days;

        Uncouth food habits and unclean life

        Boomerangs on man with heavy toll and strife.

  8)   Armed with vast knowledge with a sense of pride

        Man lords over Nature crossing all bounds

        His greedy acts surely on this world rebounds

        From Nature’s prying eyes no one can hide

        Exploiting and polluting Nature’s gifts

        Losing control he created a wide, wide rift. 

 9)   Man did abuse Nature’s set patterns and laws

       With selfish greed, new problems did he multiply

       Can science alone all solutions supply

       Divorced from morals and restraint, if all trespass

       The bounds and destroy every plant, bird and beast

       To fill his belly with no concern at least.

10)   We ever blame one another and never display

         Concern for global health and welfare

         We ever think of weapons, power and warfare;

         All nations now plunged in panic and dismay;

         This global menace who can stop outright?

         A tiny virus enough to break our so-called might. 

          

11)    Every deed of ours reflects in this universe

         All have to suffer for one misdeed wrought;

         Our mighty arms race no use; in crisis caught;

         Too much knowledge sans wisdom misleads—a curse;

         If we lack vision and broad look for future’s needs

         Our existence depends on our morals and deeds. 

12)     Clean habits, healthy food and peaceful mind

           Help in preventing this raging risk;

           No dallying; be cautious, alert and brisk;

           No more moving in groups, no touching; mind

           Your work at home; With Nature your bond retain

           Use your time in due way and good habits maintain.

            ****************************************

       26th March, 2020                            Somaseshu Gutala

  Note : Covid-19 or Coronavirus is caused by severe acute respiratory syndrome. It was first identified in Wuhan, China in December, 2019 and was recognized as a pandemic by World Health Organization on 11 th March,2020. it has spread over more than 190 countries resulting in 21,300 deaths and infecting more than four lakh people in the world.

     1)  Black Death -- Also called Bubonic Plague spread through Europe and Asia in 14th and fifteenth centuries killing more than 75 to 200 million people.

     2)  Consumption -- Tuberculosis spread widely in Europe during Industrial revolution and killed many people.

     3)  Swine Flu -- a respiratory infection caused by H1N1 virus which started from pigs. In 1919 it was first recognized as a pandemic.

     4)  Cholera --- A pandemic which started from India and spread across Western Asia to Europe, Britain and America in 19th century.

     5)  Pandemic --  A disease that is prevalent in the whole world.

     6)  Protean --- changing frequently. Derived from Proteus, a shepherd of the sea creatures , a servant of the Greek Sea God Poseidon. He had the power of changing into any shape to avoid capture by his enemy.

                  +++++++++++++++++++++++++++++++++++

           

              

          

WAITING IN THE HOSPITAL

 

           

                             

               A sullen silence reigns around

               Like mute statues frozen in ruined cells

               Patients transfixed await in lengthy queues

               Like flitting Robots the nursing staff hasten

               Indifferent to anxious imploring eyes;

               The doctors rush with dangling stethoscopes;

               The patients under the intensive care

               Lie like waxen figures in drowsy state

               Their limbs fitted with so many tubes and plasters

               A pungent chemical smell spreads around;

               Swinging betwixt relief and relapse

               They stare at their destiny unknown

               Waiting for their ultimate fate

               Waiting for the unknown shores and sunsets;

               Waiting for final relief from gasping strain

               Debilitated by age and daily stress

               They lie buried in dubious, dreary state

               Like fallen branches after a stormy gale.

               Their kith and kin spend anxious hours

               Unaware of their dear people’s health

               Stay far away huddled on the floor

               Or sit stooping in cramped chairs

               With vacant gaze and unsolved puzzles

               With sleepless eyes afraid of nightmarish dreams

               With shuddering hearts hanging like broken webs;

               The cries of suffering pain stabs their silence

               And wailing sounds shatter their rising hopes;

               A helpless, sad burden weighs down their hearts

               No flood of tears lighten their suffering state

               No comforting words relieve their sad, sad plight

               They wait like mute figures in suspense-shock;

               With frozen memories and impending gloom

               Like stranded pilgrims in disastrous doom;

               Dumbfounded they drag their slow-moving hours

               Waiting how long with no assuring hope

               Each embedded in critical unresolved crisis.      

                    ***********************************

            20th March,2020                          Somaseshu Gutala

                  

         

             

       

THE SIXTH FINGER

   

                                          

    

1)              Unwanted member of this world

                 Unrecognized part of  this society

                 Somehow emerged upstart in curious shape

                 A supernumerary burden

                 Mocked at and spurned by everyone

                 Questioning its unwarranted existence.

                 Is this protuberance, a lucky sign?

                 An emblem of the angelic soul on the earth?

                 Like fabled giant race of Ecuador

                 Or polydactyl figures carved in petroglyphs

                 What purpose to this ugly misshapen form

                 Who made this vain meddlesome shape?

                 A superfluous outgrowth with no specific goal                               

 2)              A freak experiment by Nature done

                  An unusual effort with no obvious aim

                  To show her art at abnormal level

                  An intruding link in Nature’s plan

                  Going out of order with clue not given;

                  But not of any use except to show

                  Nature’s unpredictable shaping skills

                  The sixth finger, a specimen strange

                  A failed experiment beyond our range

                  Nature’s prank challenging logic blind.

 3)              No part to play except to show mere presence

                  To show Nature’s unique deviating ways

                  Unforeseen changes and diversities

                  Like bizarre modern surrealistic works

                  With multi-layered meanings hidden;    

                  May be a warning sign exhorting crazy man

                  Who plays with Nature’s ways and means

                  To shape unnatural odd things around

                  To obstruct natural flow of things and turn

                  Men to mere sixth-finger statured level.

      Note:  
               Giant race -- refers to Waorani tribe in Ecuador who have six fingers and toes. They were known for their immense strength and violent nature. In ancient culture there was a belief that persons born with six fingers were bound to be successful.

             Petroglyphs --- The Pueblo people living in New Mexico had six fingers. The rock carvings in New Mexico shows people with six fingers in both hands. The Pueblo people living in Chaco Canyon (new mexico) had six fingers. In South America there was a tribe called Ugha Mongualala who believed that gods visited the earth every six thousand years. In tales they are described with light skin, thick beard and had six fingers and six toes. The six fingers are associated with something divine and spiritual.

          Petroglyphs -- rock carvings are seen in New Mexico in places like Cave of the Giant Sloth in Chili and in Indian Creek State Park.              

       

          Polydactyle --- having extra fingers.This symptom is called Polydactyly.g          this is derived from two Greek words; Poly means "many" and Daktylos means "finger."

         Sixth finger statured level -- means merely a position with no prominent role.

                              

                                  ************************************************************


     13th March, 2020                                                 Somaseshu Gutala

     

My Visit to Bhadrachalam

 

                        

Sanctum

Painting on the wall

Bhadra Rock in the temple premises

                         

Abhayanjaneya Swamy Temple

Rama Madas

Parnashala

Bridge over Godavari at Bhadrachalam

 We went to Bhadrachalam from Rajahmundry by taxi and the route goes through dense forests and winding curves. It is really a scenic drive but one problem is that we do not have any communication and contact with any person. The way is so isolated and completely cut off from the routine society.  On the way we saw a huge lorry blocking our way as it tumbled sidewards . Luckily some way is made for our small car to move forward. All other buses and trucks came to a stand still waiting for the lorry to be removed from the main road.

 According to the legend Bhadra, the son of Meru  mountain, was given Ramataraka mantra divine sage, Narada.  He did penance when Rama was in search of Sita. Rama promised him to meet him after he traced the missing Sita. But he forgot to fulfill his promise. Bhadra continued his penance wishing that Rama should stay on his head. Later Vishnu descended in the form of Rama to fulfill Bhadra’s wish. He came with four hands bearing conch and discus in his upper arms and bow and arrow in his lower arms. Sita was seated on his left thigh while Lakshman stood to his left.  But in Utsava vigrahas , Lakshman and Sita are seen on either side of the main deity. All three faced west towards the Godavari River. Rama held the conch in his right upper hand in contrast to Vishnu with the intention of giving salvation to Bhadra. So he is called “Vaikuntha Rama” or “Rama Narayana”. The three deities signified the three aspects of the sacred “OM” and so he earned the title “Omkara Rama”.

 According to Brahma Purana the worship of Bhadradri Rama gives spiritual knowledge. The idols were first discovered by a tribal woman called Pokala Dhammakka of Bhadrareddypalem.  In her dream Rama told her to take out the idols and worship them. She found the idols under an ant hill. She built a mandapam and worshipped the idols. Later Kancherla Gopanna, the Tahsildar of that region, built the temple in 1674 when the local people promised him to pay the amount after the construction of the temple. So he spent the amount (nearly six lakh varahas) collected as revenue without informing the king. Ramadas looked after the temple rituals which were conducted according to Pancharatra Agama tradition as followed in Ranganatha’s temple in Srirangam. Ramadas invited five Brahmin priest families who knew Pancharatra Agamas and with their help implemented the system of worship modelled on the methods followed in Srirangam. Ramadas also installed an icon of Ranganatha on a taller hill called “Ranganayakula Gutta”. Here there is also a temple called “Ramalingeshwara” dedicated to Shiva..  Opposite to Ranganayaka temple there is a shrine for Lakshmi Tayar. After Ramadas, Tumu Narsimhadasu with his associate Varada Ramadas continued the tradition. Narasimhadas introduced Dasavidhotsavams (ten kinds of rituals) during his tenure. The icons worshipped by Narasimhadas are housed in Amba Satram at the southern end of the temple. Here food is served to pilgrims visiting the temple. Ramadas used Bhadrachalam as a center of Bhajan (collective singing of devotional hymns) tradition to spread awareness of Vaishnavite tradition. Many great saints like Adi Shankara, Kabir and Thirumangai Alwar visited this place. Gopanna was given the title “Ramadas” by Sant kabir.  Gopanna’s songs inspired Thyagaraja who composed many famous songs on Sri Rama.

Bhadrachalam is a small town in Bhadradri Kothagudem district. This place became famous because of the three hundred year-old Rama temple built by Kancherla Gopanna (popularly known as ‘Ramadas’) who was a staunch devotee of Rama and a composer of many (nearly 200) devotional songs and Dasarathi satakam (collection of 104 poems in metrical verse) .  He suffered imprisonment for twelve years in a dungeon in Golconda as he had diverted a part of the revenue (six lakh varahas) for construction of the temple without informing the king, Abul Hasan Qutb Shah (Tanishah). Rama and Lakshmna appeared in the dream and asked the king to release Ramadas as they had cleared his debt and produced a heap of golden coins. The king woke up and found to his surprise a heap of gold coins called Rama Madas with inscribed images of Rama and Lakshmana on them. The king was very moved by the devotion of Ramadas and immediately released him and offered the whole sum of gold to him. But Ramadas declined the amount except two coins as a token of god’s grace. These two coins are still seen in the temple museum.

 Tanishah granted the income derived from Palwoncha Paragana (which amounts to nearly 20,000 and odd varahas) for the maintenance of the temple. This was continued during Qutub Shahi’s reign. On the occasion of Sita Rama Kalyanam day (Sri Rama Navami), they sent pearls as a gift to deities through a special messenger on an elephant. This custom of sending pearls and silk clothes is still continued by the present Telengana government. The Nizam of Hyderabad (Mir Osman Ali Khan) donated Rs.50, 000/- to the temple. From 1958 the temple had been managed by the A.P. government. In 1960 repairs were done to the temple. In 2016 the temple became a part of Bhadradri Kothagudem district.

This temple is seen on a hillock called Bhadradri and one has to climb fifty steps to reach the temple. The temple has four entrances. Lift facility is provided for elderly people from the side entrance. The rajagopuram at the northern entrance is called “Vaikuntha Dwaram”. Facing the Vaikuntha Dwaram, there is a big hall called “Mithila Stadium” which was started by the Ex-Chief Minister, Sri Jalagam Vengala Rao at a cost of 3.8 million rupees.   The sikhara (pinnacle) crowing the temple was carved from a single block of granite weighing 36 tonnes. This is the biggest vimana in recent times. There are many sub-shrines for gods like Venkateswara, Varaha, Hanuman Garuda, Vidya haygreeva and Narasimha along with shrines of  a few Vaishnavite Alwars around the sanctum. After entering the temple, you will come across the Rushya Mookham Exhibition Centre to the left and the counter selling prasadam on the right.

 Those who buy special tickets can enter the sanctum from the left side. For the rest of the pilgrims, the queue (which is never very long) is along the front of the sanctum. The deity in the inner sanctorum is Swayambhu (self-manifested) with Sita seated in Rama’s lap. To their left, there is the idol of Laxmana in a standing position. The statue of Rama has four hands (charturbhuja Rama). Lord Vishnu’s divine conch and discus, which are generally in his left and right hands respectively, are seen interchanged in this particular idol, indicating the hurry in which he descended to grace Bhadra. His other two hands hold a bow and arrow each. Opposite the main sanctum, there is a shrine of Goddess Laxmi. Next to it, there is the Rishya Mookham Exhibition Centre with nominal entry fee. The exhibition showcases Rama madas, jewellery that Ramdas made for deities such as the famous chintaku patakamu, (a necklace studded with rubies), Kiritas (crowns), plait decorations, Mutyala haramu (pearl chain) and other such items. There is also a shrine dedicated to Bhadra, behind the sanctorum of the temple. On this rock structure the foot prints of Rama are seen and Thirunamam is applied on it. This is regarded as the head of Bhadra on which the foot prints of Rama are seen. The hillock on which the temple is seen  in this area.The visible part of the hillock contains what is supposedly Rama's foot prints. There is a Nitya Kalyana Mandapam (wedding hall) in the outer ambulatory passage of the temple, where Sitarama Kalyanam (wedding ceremony of Sita and Rama) is performed regularly. The temple opens at 4.00 a.m when Suprabhatam is performed. The temple hours are from 4.30 a.m. to 1.00 p.m. and from 3.00 p.m. to 9.00 p.m. Abhishekam is done to Moola Virat every Sunday. Special poojas and rituals are performed during annual Bramostavam, Sri Rama Navami, Vaikunta Ekadashi and Vijaya Dashami. A meditation hall (Dhyana mandir) was constructed here by Neelamraju Venkata Sheshayya, the then editor of Andhra Prabha, in 1972 in memory of Ramadas. Since then Vaggeyakaramahotsavams(musical concert) are organized during Mukkoti Ekadashi every yhear by inviting famous musicians.

 There is a hermitage (called Parnashala) at a distance of 34kms from Bhadrachalam where Rama and his wife along with Lakshman dwelt during their exile period. From here only Ravana in the guise of a hermit came and  abducted Sita to his kingdom Sri Lanka. The way to the Parna Shala looks very scenic with fields, bamboo huts and palm trees. Many tribal people are seen selling wild honey, liquor made from wild flowers and other forest products. In the Parna Shala one can see a model hut with many life like statues depicting the scenes from Ramayana such as – Sita spotting the golden deer and asking Rama for it, Laxman leaving Sita to go find Rama when the latter doesn’t return, Ravana arriving in the form of a sanyasi (ascetic) and asking Sita for alms and Ravana abducting Sita. Another model of a hut adjacent to this describes various scenes of the Ramayana that follow Ravana’s abduction of Sita. The statues are to be maintained in good condition and the surrounding have to be clean and neat. Labels describing the scenes should be displayed so that pilgrims may know something about Ramayana. Just one km from here there is place called “Sethamma Vari Gattu” where Sita used to dry her clothes. One can also see the foot prints of Rama there. The nearby temples are Sri Abhayanjaneya Swamy temple, Dasanjaneya temple and Govindaraja temple etc. Rama is worshipped as Atma Rama at Dommugudem where he killed 14,000 demons. In Gundala five kms away hot water springs are seen Rama, Sita and Lakshman had taken their bath during winter season.

                          ************************************

    23rd February, 2020                                          Somaseshu Gutala

MY Visit to Arasavalli Suryanarayana temple, Srikakulam

                                                                Arasavalli Suryanarayana Temple

Vimanam or gopuram of the temple in Kalinga style

Satya Sai Dhyana Mandiram facing the temple

Side view of the temple

Idol of Sun God in the sanctum

                             

Idol of Sun God with ornaments

                                 

Indra Thirtham

Arasavalli (previously called “Harshavalli” means the land of pleasure) is a village at a distance of 2kms from Srikakulam town. The famous sun temple is located in this village. This temple was built by Devendra Varma of Kalinga dynasty in 7^th century. This is one of the oldest sun temples in India. The architectural and artistic skills of Oriya Maharanas or Viswakarma Brahmins are seen in the construction of this temple. The Kalinga kings ruled this region from 4^th to 14^th century. Many inscriptions reveal the grants made by persons like Aditya Vishnu Sharma and Bhanu Sharma of the Kalinga clan. The original structure was completely destroyed by Muslim rulers during 17^th century when this area was under the rule of Nizam kings. Sher Mohammad Khan, the Subedar of this region, destroyed many temples here. Sita Rama Sastry, the advisor to the Subedar , protected the main idol by hiding it in a well. The present structure mostly made of cement and lime stone was built in 18^th century. Historical evidences show that this temple was built in 1788 by a philanthropist, Sri Yelamanchili Pullaji Pantulu and his family. During 1980’s the A.P.State Endowments Dept. built the Pradakshina mandapam and Surya Namaskara mandapam. The gopuram and the inner sanctum were re-built by Sri Varudu Babji of Alukudu village in 1999. The front mandapam was built in 2006 with contributions made by GMR family, an industrialist. Kesakhandana Shala (place for tonsuring) and Annadana Satram (place for free meals distribution) were added subsequently,

According to Padma Purana, Sage Kasyapa installed the idol of Suryanarayana here for the welfare of mankind. According to Sthala Purana, Lord Indra founded this temple and installed the idol of Surya. When Indra tried to enter the temple of Uma Rudra Koteswara by force, he was driven away by Nandi with such force that he fell here. He prayed to Surya to relieve him of his body pains and suffering. Lord Surya healed him and at Indra’s request stayed here to bless his devotees. Indra dug a pond with his Vajra and found the idol of Surya there. So the pond near the temple is called “Indra Pushkarini.”

  The idol of Surya is made of five-foot tall black granite. Surya is seen in standing posture holding two lotus buds in his two hands. This type of idol is called Padma Pani Murty. His three consorts Padmini. Usha and Chaya are seen by his side. Padmini represents wisdom while Usha and Chaya represent eternity. On the top of the idol two divine saints, Sanaka and Sanandana holding chatras (umbrellas) are seen. At the base of the idol two guards (Dwara Palakas), Mathara and Pingala are seen. The Sun God is depicted as riding in a chariot driven by his charioteer, Anura. All these figures are exquisitely carved on a single black granite stone. The temple is built in such a way that the rays of the sun touch the idol from feet to face for a few minutes during the months of March (between 9^th and 12^th) and October(between 1^st and fourth) for a few minutes. Many devotees come here to see this unusual spectacle.

 This temple built in the form of a chariot is a Panchayatana temple (where five gods are worshipped) with Aditya in the center and with Ganesha, Shiva, Parvati and Vishnu in four corners. An idol of Indra is also seen here. Many people believe that skin diseases, blindness and barrenness are cured by worshipping the God in this temple. Worship is done as per Smartha Agama tradition. Every day many sevas like Ashtotaranamarchana, Sahasra namarchana, Ksheeranna Bhogam, Kshraabhishekam and Kalyana seva are done. Surya Namskarams (worshipping the Lord with Yoga postures reciting Sowra and Aruna mantras) is done on Sunday from 6.00 a.m. to 12.00 noon. Tiruveedhi Seva is done at 6.00 p.m. on Sundays. Ksheerabhishekam to the main idol (Moola Virat) is done every month when the sun transits from one zodiac sign (Rasi) to the other zodiac sign (Rasi). Nitya Archana starts at 5.30 a.m. ad Maha Nivedana is done at 12.30 p.m. Annadanam is done every day after 12.30 p.m. The temple timings are from 6.00 a.m. to 12.30 p.m. and from 3.30 p.m. to 8.0-0 p.m. Special poojas are done on Janmashtami, Dussera, Vaikunta Ekadasi, Makara Sankranti, Ratha Saptami and  Maha Shiva ratri. There are very few sun temples in India. In Alampur Nava Brahma temples there is a Sun temple dating back to 9^th century. The sun temple in Konark (Orissa) is in a dilapidated condition. As many believe, the worship of sun gives good health and spiritual knowledge. The nearby temples are Sri Kurmam(15kms) and Sri Mukhalingeswara(54kms) and Rudra Koteswara (3kms).

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      7th February, 2020                                          Somaseshu Gutala