Monday, July 17, 2023

MAN IN THE CAGE







         


 

                   


                    

 

1.     The vibrant strength of the tiger with bouncing speed

 Behind these iron bars, I never found;

 Where is the royal gait of the lion with roaring sound?

 Where is the staggering leap of the pard on the mead?

 Where is the grazing mule and the nimble striped steed?

 No merry cries of swinging baboons I hear

 No free winged creatures twitter with cheer.

 

2.     Where is the leaping joy in pretty deer’s eyes?

 Where is the defiant strength of tusker gone?

 No wild thickets and trees greet them in morn:

 Where is the zeal in wild fowl’s cries?

 No light of freedom in their tired looks shone;

 No dancing pea-cocks and no leaping fawn;

 No smell of wild blooms with fresh dew adorn.

 

3.     No more can they run swift, hunt and catch hold

Of the prey or roam free over vales and flowing rills

No more can they flex their muscles and hunt with thrill;

No more can they join their free roaming comrades bold;

They lost their vigor, strength and hunting skills;

They have to live like convicts in their narrow cells

They felt like angels pushed down into gloomy hell. 

 

  4.   The crocodiles in muddy pools in listless sleep       

         The parrots in cramped cages flutter and sadly cry;

         No more the eagle with his wide-spread wings can fly;

         The furry bears in made-up dark caves desolate peep;

         The coiled serpents in cramped spaces seem to sigh;

        The colourful winged creatures stay in dormant state

        The panthers with angry looks growl with hate.

 

5.     They live with no glint of hope in their eyes;

        Like waxen figures with no dynamic spirit;      

       They lost their natural ways of life and not fit

       To dwell in forests with their instincts wise;

       No more can they feel the tight grip and grit        

       The thrill of killing their prey with speed and might.

       Why should they live like captives for others’ delight? 

 

6.   Some puny human creature throws some chunks of meat

      Why should they be deprived of their rights?      

      Why should they suffer in narrow cages day and night?

      Why should they suffer in cages in sweltering heat;

      Is this the right way our fellow-creatures to treat?

      Nature’s intimate touch surely, they miss;

      What fault have they done to suffer like this?

 

7.    Why should we deprive them of their right to be free?

       Why should we deprive them of their sylvan domain? 

       Why should we cage them for our pleasure and gain?

       Why should we go on capturing and hunting spree?

        Why should we destroy the trees and grassy plain?

        Let man be safe-sheltered in his barred cage

        And from distance these wild creatures, gaze.

 

8.      In their natural habitat let us watch  

        The wild creatures running, leaping and flying free;

        Their god-gifted skills and movements let us catch

         In our cell-phones with no guilty feelings with glee;

         Without hurting them but admiring their ways;

         These lovely creations, let us protect always.

               ****************************

Note : This poem is written in Rhyme Royal stanzaic form 

 with a slight variation in rhyme scheme. This poetic form

 with seven lines was first used by Geoffrey Chaucer with

 the rhyme scheme (ABABBCC) in his long poem

 "Troilus and Criseyde” (1380) and later in Parlament of 

  Foules”(1381-1382). I have made a slight variation in

  rhyme scheme as:  ABBABCC. Chaucer derived this

  form from the French  Ballad. It was called Rhyme Royal

  because it was first   used by King James I of Scotland in

  the 15th century in  his poem,“King’s Quair.”

  William Shakespeare used this  poetic form in his poem:

 "The Rape of Lucrece” and  William Morris in his poem, 

 “Earthly Paradise.”

                         ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

 17th July, 2023              Somaseshu Gutala

          

 

 

 

 

 

 

 

 

 

 

Friday, July 7, 2023

On my visit to Vekkali Amman Temple at Woraiyur, Trichy Dist (Tamilnadu)

Statue of Vekkali Amman

Temple entrance


Idols on the entrance tower



Sculptures on the tower

Presiding Goddess in the sanctum


Vekkali Amman with golden covering


The golden chariot

The painting of Vekkali Amman on the wall


This Kali temple is in Woraiyur (Uraiyur)in Trichy Dist. just five kms away from Trichy railway station. Woraiyur as the ancient capital of early Chola Kings, was mentioned in Asokan inscriptions dating back to 300  B.C. It was described by Satavahanas in their inscriptions as "the citadel and centre of the Cholas." It was ruled by Karikala Cholan before the first century B.C. and the dynasty was revived by Vijayalaya Cholan in 850 A.D. 


 Vekkali Amman is regarded as the guardian deity of Woraiyur and was worshipped by early Chola kings before going on war campaign. This north-facing temple bestows victory. She is also regarded as a saviour in difficult times. The sanctum of the goddess is seen without a roof as many failed to construct the roof which is an indication that the goddess does not like to have a roof over her sanctum. 


Though the temple has a simple structure with an entrance hall and Garbha Griha, people regard this place as a very powerful and wish-fulfilling pilgrim spot. The Goddess is seen in sitting posture facing northwards. She holds an Akshaya Patra, a trident, a pasha (noose) and a damarukam(hand-drum) in her four hands. Unlike other forms of Shakti idols, Vekkali Amman is seen with her right foot over the demon. This posture indicates kindness, love and affection for her devotees. In this temple rituals are done six times a day and six annual festivals every year.


 Abhishekam is done at 5.30 a.m. every day. Annadanam is done to fifty people every day. During ten-day Chittarai festival (April-May), many devotees take part in worshipping the goddess. Special poojas are performed in Vaisakha month (May-June), Panguni month (March-April) and during Navarathri days (September -October).  Friday poojas are done during the months of Thai (Jan-Feb) and during Aadi (July-August).  


According local history, a devotee called Sarma Munivar, the Guru of Chola King, cultivated a flower-garden and used to worship the goddess with the flowers. The king Parantaka Chola forcefully took away the flowers from the garden defying his Guru’s request. Angered at this sinful act, Lord Shiva opened his third eye and burnt the king’s fort and the houses. Frightened by this fire-shower people ran away and took shelter in the open place where the Goddess Vekkali Amman is seen. The Goddess took pity on her suffering devotees and placated Shiva’s wrath by appearing as full-moon. She also saved the pregnant Chola queen who jumped into Kaveri to escape from the fire-showers. Since then, Cholas became ardent devotees of Vekkali Amman. This place was the former capital Chola kings who later shifted their capital to Tanjore. As the people of the region lost their homes in the fire-shower of Shiva’s third eye, the Goddess chose to dwell in a temple without a roof till everyone in the region has a shelter of their own.


 During the annual festival everyone having Vekkali Amman as their family deity come here and pray to the Goddess for their family welfare. The temple’s chariot was made of gold in 2010. It is of 9.75 ft. in height and was made of 10.5 kgs of gold and 25 kgs. Of silver. The devotees write their problems on a paper slip and tie it around a trident in temple premises believing that the Goddess will redress their grievances. The temple timings are from 6.00 a.m. to 11.00 a.m. in the morning and from 4.00 p.m. to 8.00 p.m. in the evening. 


The nearby temples are Nachiar Azhagiya Manavala temple in Woraiyur (One of the Vaishnavite Divya Desams), Jambukeswarar Temple (7.5 kms), Vayalur Murugan temple (10 kms) and Sri Ranganatha Swamy temple (9kms) nearly. People going to Trichy should not miss visiting this powerful Shakti Kshetra.


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            7th July, 2023                             Somaseshu Gutala